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SHE USED HER DAZZLING COLORATURA AND LITHE STAGE PRESENCE TO PIQUANT COMEDIC EFFECT."

SHE USED HER DAZZLING COLORATURA AND LITHE STAGE PRESENCE TO PIQUANT COMEDIC EFFECT."

SHE USED HER DAZZLING COLORATURA AND LITHE STAGE PRESENCE TO PIQUANT COMEDIC EFFECT."

SHE USED HER DAZZLING COLORATURA AND LITHE STAGE PRESENCE TO PIQUANT COMEDIC EFFECT."

OPERA NEWS

"SHOWSTOPPING...

She used her dazzling coloratura and lithe stage presence to piquant comedic effect."

Meet
Véronique.

French-American soprano Véronique Filloux earns praise for her "expressive, lovingly shaded soprano" (Opera News) and her "wonderfully sung and wonderfully comic" portrayals (Berkshire Edge). She spends the 2026/27 season with companies including Arizona Opera, Opera Parallèle, Chicago Opera TheaterAlabama Symphony Orchestra, and The Metropolitan Opera.

 

Past seasons have seen her bow with The Atlanta Opera, Pittsburgh Opera, Jane Glover's Music of the BaroqueBerkshire Opera FestivalDes Moines Metro OperaWashington Concert Opera, Central City OperaNew Orleans Opera, and Wolf Trap Opera. She is the first place winner of the Dorothy Lincoln-Smith Competition, the Mildred Miller Competition, and the Zenith Opera Competition.

ATLOpera_Semele_BBB2803.jpg

"Filloux's voice
glittered brilliantly"

"As Semele, Véronique Filloux's voice glittered brilliantly, dispatching Handel's roulades and runs with ease in 'Myself I Shall Adore.' She was equally enchanting in the softer, more gentle lyricism of 'O sleep, why dost thou leave me?'"

SEEN & HEARD INTERNATIONAL

2026/27 Season.

Véronique Filloux makes her cover debut with The Metropolitan Opera (Jano, Jenůfa) to begin her 2026/27 season, having previously sung the role of Helen in the company's workshop of The Amazing Adventures of Kavalier & Clay. She returns to Arizona Opera in the role of Mabel (The Pirates of Penzance) and debuts with both Opera Parallèle as Sandrine/Mercédès in The Diving Bell and the Butterfly and Chicago Opera Theater as Daughter in The Juniper Tree. On the concert stage, she returns to Alabama Symphony Orchestra for a personal favorite, Messiah.

ContactVéronique.

Véronique is represented by UIA Talent Agency. For all professional inquiries, please be in touch with her management team. For personal inquiries, utilize the contact form or follow her on her socials.

Precision and pathos.

"There is just the one female presence in this otherwise all-male undertaking, the Eve-like temptress known only as Curley’s Wife... Floyd gives this lonesome, unhappy woman a voice of her own, and soprano Véronique Filloux dispatched her assignment with precision and a modicum of pathos."

THE SAN FRANCISCO CHRONICLE

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