IN
REVIEW
Reviews have praised Véronique's "sparkling lyric soprano" and "radiant vocal ease." Opera News celebrated her "expressive, lovingly shaded soprano," "vibrant energy," and her "dazzling coloratura and lithe stage presence [used] to piquant comedic effect."
SEMELE
SEMELE | PITTSBURGH OPERA | MAY 2021
"As the vainglorious title character, Véronique Filloux looked smashing in her flowing negligées... Her best moment was the showstopping "Myself I shall adore," in which she used her dazzling coloratura and lithe stage presence to piquant comedic effect."
OPERA NEWS
"Véronique Filloux, in the title role, has a part that fits her beautifully fresh soprano perfectly. In “Sleep, why dost thou leave me,” one of the best known pieces from the work, she was at her best, but the strength and flexibility of her voice were on full display throughout the evening. She acted the role with charming versatility."
PITTSBURGH IN THE ROUND
"Véronique Filloux made much of her rich role as Semele. Particularly beautiful was her rendition of “Oh Sleep Why Dost Thou Leave Me” when Semele awakens from a dream of being with Jove. Filloux also gave an entertaining performance for the famed “Myself I Shall Adore” aria, which drew some chuckles from the audience as she extolled her good looks." ... "In this production, Semele is no mere vain figure of tragedy. Rather, her motivations stem from knowing what she wants, discarding societal expectations and making every effort to get it. While her ambitions are her downfall, Semele’s agency provides a refreshingly multidimensional character arc. Not an easy feat when the main character is wearing a frilly, pink robe most of the opera."
PITTSURGH POST-GAZETTE
"As Semele, Véronique Filloux’s voice glittered brilliantly, dispatching Handel’s roulades and runs with ease in ‘Myself I shall adore’. She was equally enchanting in the softer, more gentle lyricism of ‘O sleep, why dost thou leave me?’"
SEEN AND HEARD INTERNATIONAL
"Véronique Filloux is the soprano playing Semele, a role that fits her youth and voice type very well. She displays the naivete, playfulness, and emerging self-determination of her character... Her coloratura and melismatic displays of vocal dexterity and power were impressive enough, but it was in the gentlest aria “Sleep, why dost thou leave me” that the beauty of her voice comes to the fore."
OPERAGENE
LAKMÉ
MISS ELLEN | WASHINGTON CONCERT OPERA | MAY 2022
"Véronique Filloux, whose own vocal capabilities seem to be not far off from [Erin] Morley’s, was a charming and forthright Miss Ellen, Gérald’s oblivious fiancée."
PARTERRE BOX
"As usual, Antony Walker assembled an extraordinary cast down into the supporting roles. The colonial quintet of British expats sang with sparkle and rhythmic unity… The Miss Ellen of soprano Véronique Filloux, Gérald’s fiancée, crowned these ensembles with incisive high notes."
WASHINGTON CLASSICAL REVIEW
"Delibes’s music for the ladies of the opera’s British contingent—the soldier Gérald’s fiancée Ellen, her confidante Rose, and the governess Mistress Bentson—was sung with apt precision and decorum by soprano Véronique Filloux, mezzo-soprano Lindsay Metzger, and contralto Megan Esther Grey. Filloux voiced Ellen’s couplet, ‘Nous sommes conquises avec moins d’éclat,’ charmingly, her upper register glowing."
VOIX DES ARTS
"Secure, colorful work also came from soprano Véronique Filloux (Miss Ellen)."
OPERA NEWS
"Soprano Véronique Filloux brought her beautiful voice to the role of Miss Ellen, Gérald’s fiancée."
OPERAGENE
LA DAMOISELLE ÉLUE
LA DAMOISELLE ÉLUE | CENTRAL CITY OPERA | JULY 2019
"Easily filling the church with an expressive, lovingly shaded soprano, Véronique Filloux portrayed the Damozel with an inviting mixture of sorrow and joy at the prospect that the two lovers might one day meet in heaven."
"...a magical experience."
OPERA NEWS
LA BOHÈME
MUSETTA | BERKSHIRE OPERA FESTIVAL | AUGUST-SEPTEMBER 2023
"[Taylor's] take on Marcello was rather stoic, although Véronique Filloux’s spitfire of a Musetta set his blood boiling. Filloux’s Musetta was both temptress and tease, qualities which the soprano displayed brilliantly in her sparkling ‘Quando m'en vo’. This Musetta was also compassionate and kind, which added to the heartbreaking poignancy of the final scene."
SEEN AND HEARD INTERNATIONAL
"The entire company is wonderful, and, moment to moment, the opera captured its audience and made hundreds of people thrill to the best of Puccini. Véronique Filloux was a delightful Musetta, and her Act Two song and “dance” was both wonderfully sung and wonderfully comic."
BERKSHIRE EDGE
"Electrifying is an apt word for [Act 2]. Soprano Véronique Filloux as Musetta made the most of this energy, exploding into Act 2 with irascible flirtation and swinging merriment... Filloux sealed the deal as her voice sliced through the imbroglio with faux pain to dispatch her wealthy old beau, Alcindoro. Perhaps because it is so quotidian, and undoubtedly due to terrific acting from Taylor and Filloux, their relationship of playful sparring, feigned disinterest and ultimate support was a welcome counterpoint to the melodrama."
BERKSHIRE EAGLE
"Without exception, the cast of this production is a joy to listen to."
BERKSHIRE ON STAGE
SEMELE
IRIS | WOLF TRAP OPERA | JULY 2023
"Soprano Véronique Filloux, already familiar to local audiences, thrilled with high-flying exploits as Iris, costumed here as a sort of goofy Willy Wonka figure (costume design by Rooth Varland)."
WASHINGTON CLASSICAL REVIEW
"Director Faircloth turned what is largely a minor role of Iris into a bit of a showstopper, casting soprano Véronique Filloux as Iris, decked out in a colorful uniform that a circus master might have worn. Ms. Filloux complemented her on point singing with energy, humor, and impressively deft choreographed movements. Ms. Treigle and Ms. Filloux were well matched and played effectively off each other on stage. "
OPERAGENE
"Iris (Véronique Filloux), dressed as a rainbow-clad leprechaun, tells Juno of Jupiter’s betrayal, setting the stage for Juno to devise a plan for her revenge. Together, Treigle and Filloux nail the playful, slapstick dynamic of a Disney villain and her silly henchman."
DC THEATER ARTS
L'ELISIR D'AMORE
ADINA | ANNAPOLIS OPERA | MARCH 2024
"Véronique Filloux plays Adina as a savvy modern woman riding the roller coaster of fame. ... Throughout this act, we can gorge ourselves happily on the bel canto singing. Soprano Filloux delights with her dazzling runs."
DC THEATER ARTS
"Adina was played by French-American soprano Véronique Filloux, whom I’ve had the pleasure of hearing in performances locally as well as in the lead role of Pittsburgh Opera’s Semele. As Adina, her coloratura virtuosity was impressive, soaring easily from mid-range to high notes on several occasions; she also provided clearly distinguished high note accents in ensemble pieces, but it is when she sings the gentlest pieces that the beauty of her voice can be best appreciated. She was a believable actress as Adina, a young woman coming to terms with hidden feelings."
OPERAGENE
OF MICE AND MEN
CURLEY'S WIFE | LIVERMORE VALLEY OPERA | OCTOBER 2023
"There is just the one female presence in this otherwise all-male undertaking, the Eve-like temptress known only as Curley’s Wife. We can pin the sexual politics on Steinbeck, while noting that Floyd gives this lonesome, unhappy woman a voice of her own, and that soprano Véronique Filloux dispatched her assignment with precision and a modicum of pathos."
SAN FRANCISCO CHRONICLE
"The bored vixen is delightfully performed by Véronique Filloux, whose vocal range, mellifluousness, and easy flirtatiousness suit the role. ... The content and tone in “Of Mice and Men” are crushingly downcast, but Lennie and Curley’s wife share a well-crafted and beautifully delivered duet in which they sing simultaneously of their differing dreams for a better future. Their hopes raise the question whether having plans and dreams, even if unlikely to be fulfilled, lead to a happier existence."
BERKSHIRE FINE ARTS
"Curley’s unhappy and lustful wife is not treated kindly by Floyd’s music, yet coloratura Véronique Filloux deftly negotiated her often see-saw extremes with lyricism."
AISLE SEAT CLASSICAL MUSIC
CARMEN
FRASQUITA | PITTSBURGH OPERA | MARCH-APRIL 2022
"[Carmen features] several Resident Artists, two of the finest being soprano Véronique Filloux, and bass Jeremy Harr. Both have come through trying times with the company with flying colors, and have given audiences displays of their superb vocal talents, versatility, dramatic ability and commanding stage presences."
ONSTAGE PITTSBURGH
"Four of the current crop of Pittsburgh Opera resident artists provided some of the highlights of the evening. The Act II quintet and finale, bolstered by these singers from the program, demonstrated their discipline and skill. Second year resident artist Véronique Filloux (Frasquita) and alumna Leah Heater (Mercédès), sang and acted with vibrant energy."
OPERA NEWS
"Véronique Filloux and Leah Heater were perfectly cast... the delightful Act II quintet was sung by Švede, Heater, Filloux, Gray and Turner in a manner I’ve never heard emanate live from a stage. It was one of the most brilliant moments of the evening."
ONSTAGE PITTSBURGH
"The second act quintet of bandits discussing some upcoming hijinks crackled with chemistry and momentum."
PITTSBURGH POST-GAZETTE
CHARLIE PARKER'S YARDBIRD
CHAN PARKER | PITTSBURGH OPERA | APRIL 2021
"Gillespie and later Chan arrives, wearing a dress practically lifted from Marilyn Monroe’s iconic subway breeze scene... It’s credit to Véronique Filloux as Chan that she makes these portions shine."
PITTSBURGH POST-GAZETTE
"Véronique Filloux’s Chan Parker, his common-law-wife at the time of his death, was all flounces and feathers, a perfect fit with her sparkling lyric soprano."
SEEN AND HEARD INTERNATIONAL
THE ROSE ELF
THE GIRL/LUNA | PITTSBURGH OPERA | JANUARY 2022
"Soprano Véronique Filloux (The Girl/Luna) delivered the sterling performance she always does. She has a voice of great strength and beauty, and it’s a safe bet to predict that a colorful future awaits her. She acts as well as she sings, and it has been a consistent pleasure to listen to her in all of the roles she has sung."
ONSTAGE PITTSBURGH
"As the lovers, soprano Véronique Filloux and tenor Andrew Turner sang passionately. Turner, who is in his first season with Pittsburgh Opera, made a fine impression, and Filloux gave another of her compelling performances."
SEEN AND HEARD INTERNATIONAL
PLATÉE
L'AMOUR | DES MOINES METRO OPERA | JULY 2021
"Several standout soloists were drawn from the ranks of DMMO’s Young Artists roster… Véronique Filloux gave an enjoyable turn as Amour, her limpid soprano floating through the house with good effect."
OPERA TODAY
THE MAGIC FLUTE
PAPAGENA | PITTSBURGH OPERA | NOVEMBER 2021
"That Véronique Filloux would be an ideal Papagena was a foregone conclusion, and she didn’t disappoint, either in the screeching crone moments or in the enchanting, charming phase of the character. Her singing and acting of the part was one of the highlights of the evening."
ONSTAGE PITTSBURGH
"Véronique Filloux's squeaks and squeals as Papagena consistently cut through the opera’s solemnity."
PITTSBURGH POST-GAZETTE
COSÌ FAN TUTTE
DESPINA | PITTSBURGH OPERA | OCTOBER 2020
"Véronique Filloux sang the soprano role of Despina delightfully, even in the passages requiring her to disguise her voice with a Papagena-like squeal. All three [women] proved to be excellent ensemble singers, and their voices in the concerted passages blended beautifully."
PITTSBURGH IN THE ROUND
"Véronique Filloux’s delicious Despina... would find [herself] at home in any production of the Mozart opera – classic buffo characters presented with flare and fidelity."
SEEN AND HEARD INTERNATIONAL
"Though she is early in her career, a 2018 graduate of Maryland Opera Studio, I have seen Ms. Filloux perform twice previously in Opera Lafayette productions in DC... Her talent was obvious in those roles and is more fully displayed as Despina. The beauty of her voice and singing is perhaps best displayed in Despina’s entrance set where she sings an aria educating the young female lovers. In later scenes, she displays her comedic abilities as Despina dons a couple of disguises, changing her voice and movements within those roles. I was excited to learn that in PO’s February production of Handel’s Semele, she will play the lead."
OPERAGENE
THE CHASE
BWV 208 & HIPPOLYTE ET ARICIE (EXCERPTS) | MUSIC OF THE BAROQUE | OCTOBER 2019
"As Pales, Véronique Filloux rendered the cantata's showpiece aria with a refined soprano..."
CHICAGO CLASSICAL REVIEW
"But it was soprano Véronique Filloux who drew the cantata's familiar hit tune, 'Sheep may safely graze'... Filloux imbued the aria with infectious buoyancy and joy."
CHICAGO ON THE AISLE
"...this imposing Phèdre was marvelously counterpoised by Filloux's agile singing as both Aricie and a huntress..."
CHICAGO ON THE AISLE
STREET SCENE
MAE JONES | MARYLAND OPERA STUDIO | APRIL 2019
"The Broadway-style “Moon-Faced, Starry-Eyed” is a standout number with swing dancing between Mae Jones (played by [guest alumna] Veronique Filloux) and Dick McGann (portrayed by Christian Hoff)."
PRINCE GEORGE'S SENTINEL
CARMINA BURANA
CHAMPAIGN-URBANA SYMPHONY ORCHESTRA | OCTOBER 2019
"The three soloists were also excellent... Véronique Filloux made a highly favorable impression in the role of a maiden shyly facing the attractions of the act of love, and she then produced some stratospheric tones at her moment of consummation."
THE NEWS-GAZETTE
PULPIT & PLAYHOUSE
DIXIT DOMINUS & THE FAIRY QUEEN (EXCERPTS) | MUSIC OF THE BAROQUE | MAY 2019
"Duet passages by Sherezade Panthaki and Véronique Filloux pierced the ear the way a full moon illuminates the night."
VOCAL ARTS CHICAGO
"The five soloists all proved accomplished in the score’s challenges and their moments in the sun—particularly... the seamless blending of Panthake and Filloux in 'De torrente in via bibet.'"
CHICAGO CLASSICAL REVIEW
"Véronique Filloux brought a slender soprano and light sensual touch to 'I am come to lock all fast' and good cheer to 'Now the Night is chas’d away.'"
CHICAGO CLASSICAL REVIEW
RADAMISTO
TIGRANE | OPERA LAFAYETTE | JANUARY-FEBRUARY 2019
“Soprano Véronique Filloux had a warm, sumptuous sound as Tigrane.”
WASHINGTON CLASSICAL REVIEW
“Soprano Véronique Filloux as Tigrane and soprano Nola Richardson as Faarte were both delights, offering both charm and beautiful voices.”
OPERAGENE
“Fraarte and Tigrane... [possess] some lovely music which Nola Richardson and Véronique Filloux respectively dispatched stylishly."
PARTERRE
“In the two trouser roles of Tigrane and Fraarte, Véronique Filloux and Nola Richardson... deliver distinctive performances.”
SUPERCONDUCTOR
“Rounding out the cast, two delightful sopranos, Nola Richardson and Véronique Filloux... wore spiffy military outfits and sang their delightful arias with a youthful élan”
OPERA CON BRIO
DIE ZAUBERFLÖTE
PAPAGENA | CENTRAL CITY OPERA | JULY-AUGUST 2018
"The duet with Papagena (Véronique Filloux), "Pa-pa-ge-na, Pa-pa-ge-no,"—enhanced by the shtick with the eggs—is a show stopper!"
COLORADO DRAMA
"Soprano Véronique Filloux makes a charming impact at the end as Papagena."
KELLY DEAN HANSEN
"Studio artist Véronique Filloux was cheerful and bright-voiced in [the role of] Papagena."
SHARPS AND FLATIRONS
MESSIAH
BACH COLLEGIUM SAN DIEGO | DECEMBER 2019
"We did not hear soprano Véronique Filloux until that penultimate aria “If God be for Us, Who Can Be Against Us?” but her suave phrasing and sensuous soprano would have been welcome earlier in the oratorio."
SAN DIEGO STORY
IL GIASONE
ISIFILE | OPERA NEO | AUGUST 2017
"As Isifile, Véronique Filloux’s soprano brought warmth and a voluptuous sustained legato to her role as the spurned lover who wins Jason back in the end."
SAN DIEGO STORY
IN CONCERT
OPERA NEO | JULY 2017
"...soprano Véronique Filloux as Sophie received the silver rose with radiant vocal ease."
SAN DIEGO STORY
VENUS AND ADONIS
SHEPHERDESS/SOPRANO SOLOIST | OPERA LAFAYETTE | NOVEMBER 2019
"The other singers in this chamber work brought contrast and rich variety to the work. I was particularly taken with soprano soloist Véronique Filloux for her focused and delightfully balanced sound"
DC THEATRE SCENE
"Moody, Kilbride and Woody, joined by soprano Véronique Filloux, gave the choruses vocal lilt matching the musicians’ bounce."
THE WASHINGTON POST
"We enjoyed the soprano of Véronique Filloux, the countertenor of Daniel Moody, the tenor of Patrick Kilbride, and the bass-baritone of Jonathan Woody, all of whom were exceptionally delightful to the ear."
VOCI DI MECHE
"The vocal ensemble was full of striking voices and personalities... Véronique Filloux, Jonathan Woody, and Patrick Kilbride shone in brief solo opportunities."
GAY CITY NEWS