top of page
Véronique Filloux
THE CHICAGO TRIBUNE
A SOFTENED, ENSCONCING SOPRANO.
"Bass-baritone Jonathan Woody and soprano Véronique Filloux cut a compelling pair as Plutone and Proserpina, who Orfeo confronts on his trip to the underworld. Filloux’s softened, ensconcing soprano sounded profoundly moved by Orfeo’s plea- a striking sonic and theatrical contrast to Woody, who snarled at the young lover over growling sackbuts."
"delightful... both wonderfully sung and wonderfully comic."
"The entire company is wonderful, and, moment to moment, the opera captured its audience and made hundreds of people thrill to the best of Puccini. Véronique Filloux was a delightful Musetta, and her Act Two song and “dance” was both wonderfully sung and wonderfully comic."
BERKSHIRE EDGE
ContactVéronique.
For professional or personal inquiries, please contact Véronique directly via the form below or follow her on her socials. For messages regarding existing contracts, please be in touch with UIA Talent Agency.
"AN EXPRESSIVE, LOVINGLY SHADED SOPRANO"
"Easily filling the church with an expressive, lovingly shaded soprano, Véronique Filloux portrayed the Damozel with an inviting mixture of sorrow and joy at the prospect that the two lovers might one day meet in heaven."
OPERA NEWS
Get in touch.
bottom of page