Scroll down for audio and video clips of Véronique, as well as interviews and promotional films for her recent projects, including a world premiere workshop and an immersive virtual reality opera experience.
"Se giunge un dispetto" from Handel's Agrippina. Performed alongside Justina Lee. August 2019.
"Die Wiener Herrn" (the Fiakermilli aria) from R. Strauss's Arabella. Performed alongside Justina Lee. August 2019.
"In uomini, in soldati" from Così fan tutte. Performed alongside Justina Lee. November 2017.
"Through Gilded Trellises" from Walton's Façade, performed alongside Ieseul Yoen. May 2017.
Isifile's act 3 lament from Cavalli's Il Giasone. Performed August 2017 alongside baroque ensemble led by Nicholas Kraemer. Directed by David Radamés Toro at Opera NEO.
Serpetta's "Da una parte mi spiace... Chi vuol godere il mondo" from Mozart's La finta giardiniera. Performed alongside Ieseul Yoen, May 2018.
Véronique is featured as a notable alum in the Maryland Opera Studio interview series "Alumni Talks Tuesdays." She speaks on her experience in MOS, life as a young professional singer, and staying inspired and creative while quarantined for COVID-19. April 2020.
Véronique stars as Soeur Constance in a groundbreaking collaboration between the Maryland Opera Studio and virtual reality researchers, building a visceral new way to experience Poulenc's haunting finale. April 2018.
Véronique is praised for her "warm, sumptuous sound as Tigrane" in Opera Lafayette's Radamisto. This production marries Handel's music with a rough, postmodern movement sensibility embodied by the Seán Curran Dance Company. February 2019.
Véronique performs in a new work reading of an opera titled after Oscar Wilde's fairy tale "The Young King," working in collaboration with composer Martin Hennessy and librettist Tom Rowan throughout the work's development. February 2017.